This was the first week of classes for us at USC and things seem to be getting off on the right foot. It’s a little hard to tell how much work the semester will bring since I have yet to have either of my lab sections yet. Both Biochemistry and Chemical Engineering Lab (as the name implies) have labs and I haven’t had to go to either yet. So far the only work I have had is..READING! I joyously began my English class (ENGL 467) and we are starting off with Ulysses. Not the easiest of reads, by any stretch, but we are going to spend a good deal of time on it and a good professor and discussion group can make any daunting book manageable. The language in Ulysses is challenging – it’s not entirely straightforward who is speaking or thinking or where characters are. It takes a bit of getting used to and also an understanding that it is going to take a while to read through anything. Besides just having a class which reads books, I went to the library on Monday (since I didn’t start class until noon) and emerged with 6 books: Out of the Silent Planet (CS Lewis), The Importance of Being Ernest (Wilde), Dr. Jekyll and Mr. Hyde and Other Tales (Stevenson), The Waves (Woolfe), Sons and Lovers (Lawrence), and Daughter of Fortune (Allende). All random pulls from the bookstacks of Leavey. I had no plan of what to get and certainly didn’t plan on getting so many. Who knows if I’ll have a prayer of getting through them all. In the meantime, though, they make a nice pile on my desk and it makes me happy to look at them there. They’re like some good friends hanging around. The weekend was all-around great too. Friday night, movie at LA Live; Saturday, hiking, including some bits in the area that burned in the station fire; Sunday, marathon team long run (14 miles in Marina Del Rey) and Waking Life viewing followed by Catch Phrase with friends in the evening; Monday, no school. I can say much about all of these activities, but I’m going to expound about Friday night and the movie we saw: The Imaginarium of Dr. Parnassus.
First of all, LA Live seriously needed a movie theater to make it worth going to and boost business. Before the theater opened, it was really dead up there. Also, the USC Shuttle is something I thnk the LA Live people should have initiated immediately. There were so many students wanting to use it; the shuttle we were on filled up to capacity and there were still more waiting. Big draw for them. Now onto the movie… (SPOILER ALERT! if you want to see it and haven’t, just stop right now)
Coming out of The Imaginarium, my instinct was to say that it was awful, really hard to follow, not much plot to speak of, the story all over the place, not particularly coherent. However, this “terrible” movie has been on my mind since I saw it. Which to me indicates that it was not actually a bad movie. Good movies should make you think. I think a bad movie has no plot and all that jazz and doesn’t make you think either. One that depends 100% on special effects to be anything worthwhile at all, if you consider that worthwhile.
The basic premice of The Imaginarium is a choice, according to IMDb, between, “light and joy or darkness and gloom.” Dr. Parnassus runs a travelling show in which audience members enter a mirror while the doctor is in a trance, enabling them to enter a world of their wildest imagination. At the end of their vision, or rapture, or whatever this should be thought of as, they have to make a choice between Dr. Parnassus’s world of imagination and light or the dark, seedy pleasure offered instead by the Devil, Mr. Nick. Dr. Parnassus, while a monk, was visited by Mr. Nick who asserts that people do not care about Parnassus and his order’s stories and wonder of imagination and gets Parnassus to make a wager with him that should Parnassus seduce 12 followers before the Devil inside the imaginarium, Mr. Nick will grant him eternal life, but any child to be fathered by Parnassus would belong to the Devil upon his or her 16th birthday. (Yes, complicated and confusing, I understand. I took me quite a while to figure out how to best write those two sentences and it still probably will require a couple read-throughs. Just this should illustrate my frustration with the movie.)
Still with me? Sort of? So now, Parnassus won the bet but is now a miserable drunk 1000 years old and his daughter Valentina is just a few days away from 16. In order to save her from the clutches of Mr. Nick, Parnassus makes a new wager that the first to 5 souls (in about 2 days) will keep Valentina. In the meantime, Parnassus and his crew, Anton, Valentina, and the dwarf Percy, have rescued a man hanging (by his neck) from underneath a bridge. This turns out to be Tony (Heath Ledger), about whose past we have no information and who appears to be suffering from amnesia. Tony starts helping the show recruit new audiences and begins to fall for Valentina. Finding out about Parnassus’ bet, Tony becomes determined to save, and thereby win the heart of, Valentina. Anton is also in love with Valentina and very jealous of the dashing Tony. Through this process, Tony takes a couple of dives into Parnassus’ mirror, and we thus learn more about his history.
As we in the world outside the movie know, of course, Heath Ledger passed away before finishing the filming. However, it so happened that he had completed everything on the “real world” side of the mirror, leaving everything that occured behind the mirror unfinished. So what happens when Tony goes inside the mirror, he changes appearance. This actually suits Tony’s character well. For reasons yet unknown to us, Tony seems to be rather on the run and not fully disclosing what he remember about how he got to be under the bridge. We find out later that Tony was involved in some illicit charity operations and owes money to some Russian mobsters. He’s on the run from the law, bad press, and the mafia. What a a man who would want to change how he looks! The later Tonys are Johnny Depp, Jude Law, and Colin Farrell.
So what have I spent the last 5 days thinking about off and on, you must now be wondering. While it has indeed taken a long time to figure out what happened at all, that is just a part of it.
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As the movie nears its end and with an hour to go until Valentina’s birthday, the Devil and Parnassus each have 4 souls. Tony decides that he will go into the mirror and be the fifth soul for Parnassus and save Valentina and run away with her. Valentina messes up his scheme by also going into the mirror. They both are in the world of imagination. Eventually events occur so that Valentina herself ends up choosing the path of the Devil and becomes the fifth soul for her own damnation. What I don’t understand is why she chose the Devil. Her choice was between 2 mirrors – one labeled His and one Hers. She goes through the flaming His one. I do not see why she did this. There was little difference between the two mirrors, and there did not seem to be anything the Devil had for her to desire more than the other. At least the others who went down the Devil’s path gave into some obvious temptation. The first man portrayed going through the mirror was a drunken man from a club. Instead of a laborous, although reward, climbing of Mount Parnassus, he opts for the dingy pub the Devil offers for the immediate reward of a drink. Easy to see the fall there; not so much for Valentina. I like the idea of Valentina being the 5th soul because she thus seals her own fate. Even though it appears from the beginning that she is cursed to have no say in her own life, she is in fact given the choice that determines her fate. Her decision puzzles me.
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Tony, according to the Devil, is a “charmed one” whom Mr. Nick has been trying to get for years. Interesting that even the Devil cannot get his hands on Tony. I would expect that given the opportunity, Tony would go straight to the Devil’s side. When Tony’s past is finally revealed, we learn that he had a charity for children, but the charity’s real purpose was to sell the organs of third world children to westerners (or so I think, that revealation was put forward during a bit of chaos when Anton, in Tony’s imagination, tries to expose Tony to Valentina so that she will no longer love Tony but Anton instead. If I picked that up wrong, please correct me. Nevertheless, it is something horrific and disgusting that he’s really doing). The thing Tony most covets in his imaginary world (aside from Valentina) is to be famous for helping children. However, in real life he is abusing them. These seems like two hugely contradictory desires. If he just wants to cash in, he can have a shady charity and not be praised and famous and be much more likely to get away with it. And if he wants to be famous he could do it right. Perhaps this is just a fatal flaw of human nature that Tony exhibits: the desire to be a hero and the desire for money.
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Parnassus demonstrates that what we want most, immortality in his case, is not always so good for us. Although he achieves immortality, he spends the majority of it as a depressed drunk in poverty and misery. What a way to spend eternity – I think this is not what he had in mind. And no matter how many times the Devil proposes wagers that make him worse off, Parnassus still takes the bet. He is addicted to the challenge. It seems a rather sorry fate to be consigned to making bets (which he always turn out worse for) with the Devil for all eternity. And how is Percy immortal too? He did not make the same bet as Parnassus, yet we see him from the time Parnassus is a monk to the modern time.
So there’s a few of my jumbled thoughts about The Imaginarium. One review I read thought it fantastic; another called it incoherent. I think it is somewhere between the two. There wasn’t much that approximated reason anywhere, but it made me think (extensively) as a good movie ought to do. Should you go see it? Hard to say, but if you do, prepare to be confused and to spend some time pondering it.